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Ebook The Bloody Chamber And Other Stories by Angela Carter read! Book Title: The Bloody Chamber And Other Stories
The author of the book: Angela Carter
Edition: Vintage Digital
The size of the: 4.71 MB
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Loaded: 1659 times
Reader ratings: 4.7
Date of issue: October 31st 2012
ISBN: No data
ISBN 13: No data
Language: English
Format files: PDF

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Angela Carter reveals the dark heart of the fairy story in these memorably quirky versions. She is able to intensify the mythic core of each of these tales, not by stripping them down to their essentials (the obvious way) but by using eccentric, illuminative detail expressed in individualistic prose.

Although these versions could be described as feminist and anti-patriarchal, such labels are too limiting for the fierce independence of Carter's intelligence. She is a writer who never shrinks from acknowledging the transformative power of sexual passion--even if the object of that passion be unworthy or evil, even if the passion itself be dark and destructive.

It is her frankness, her clarity and her art--not the adherence to any philosophical position--that make these tales so liberating, so powerful, such flawless examples of craftsmanship and style.


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Read information about the author

Ebook The Bloody Chamber And Other Stories read Online! Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature.

She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in Nothing Sacred (1982) that she "learnt what it is to be a woman and became radicalised." She wrote about her experiences there in articles for New Society and a collection of short stories, Fireworks: Nine Profane Pieces (1974), and evidence of her experiences in Japan can also be seen in The Infernal Desire Machines of Doctor Hoffman (1972). She was there at the same time as Roland Barthes, who published his experiences in Empire of Signs (1970).

She then explored the United States, Asia, and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son.

As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in Shaking a Leg. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and The Magic Toyshop (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Wolf's Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jackson's Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts' book, Anagrams of Desire (2003).

At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives.

Her novel Nights at the Circus won the 1984 James Tait Black Memorial Prize for literature.

Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer. Her obituary published in The Observer said, "She was the opposite of parochial. Nothing, for her, was outside the pale: she wanted to know about everything and everyone, and every place and every word. She relished life and language hugely, and reveled in the diverse."



Reviews of the The Bloody Chamber And Other Stories


BENJAMIN

The beginning is exciting, but at the end of the book is just a very template.

ARCHIE

Why do you need to drive a phone?

IVY

This book is worth reading!

LEWIS

A book that really liked it!

SUMMER

There are clear drawbacks




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